Dyson’s work addresses the ways in which space is perceived and negotiated, specifically by Black and brown individuals. Torkwase Dyson examines environmental racism as well as the history and future of Blackness. From left: Closer #5 (Bird and Lava), 2020 Liberation Scaled (Bird and Lava), 2020 Overall Form #1 (Bird and Lava), 2020 Liquid, Space and Light #4, 2020 Liquid, Space and Light #1, 2020. Installation at Pace Gallery EH, East Hampton, New York. Torkwase Dyson, Studies for Bird and Lava. By imposing Blackness on the viewer, he is, in his own words to CFHILL, “inserting himself and the culture in the canon of western art history. His work explores hierarchical systems and societal structures as well as perception of space. Shiferaw integrates hip hop culture by titling his works after songs by the likes of Tupac, Nas, Kendrick Lamar, SZA and Cardi B. Shiferaw is best known for the thick horizontal lines in his work and his use of electric blue and a vigorous black. Utilizing a variety of materials, such as mylar and vinyl, he creates a layered geometric abstraction. Tariku Shiferaw was born in Addis Ababa, Ethiopia, and currently lives and works in New York City.
Photo courtesy of Galerie Lelong & Co., New York. Tariku Shiferaw, Cranes in the Sky (Solange), 2020. What makes art “Black” and how do viewers perceive or value work that is unidentifiable by race? Against this backdrop, some of the most compelling abstract painting today is coming from Black artists. Art historian Darby English argues that by inserting “abstraction into Black representational space,” Black artists are confronting America’s monolithic definition of Black art and identity. The particular difficulty of abstraction was that it did not easily conform to an image of Blackness it didn’t announce itself as Black art. Historically, the gatekeepers in the art community were not interested in the work of Black artists, with abstract painters such as Alma Thomas, Sam Gilliam and David Driskell only receiving belated recognition.
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